Posted 20 hours ago

Tascam US-16x08 – USB Audio/MIDI Interface (16 in/8 out)

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Audient EVO 16 too, has a very similar profile to 16R and while it isn’t a flagbearer for the best sound, it does have a new and intuitive display/interface as well as a higher number of inputs/outputs. This actually makes EVO 16 a premium option if you don’t want mixer features, have a limited budget but still want a reliable unit with smart features. It even looks the best! One limitation is the mixer app, which may need a more user-friendly interface. The fact that phantom power is only controlled via the app is also a negative and increases your reliance on the high learning curve software. The MIDI connection is great, just like it would be on more high-end interfaces, zero hassle to set it up and get it going. With solid conversion at this price point, we really have no complaints about it. What we really liked about the interface was the inclusion of the on-board DSP. The real benefit is to let the unit run self standing with minimal latency, you can add a few effects while you record as well. We adjusted channels on the DAW side and had a latency free solid output. While Tascam doesn’t really route the DSP like some other budget interfaces (e.g. Audiobox w/ VSL through the monitor) it is still a value added addition.

If your interface has multiple ADAT connections, you may need multiple AD/DA converters to utilize all the channels available on that interface. When 16 Channels Are Useful The updated connectivity options guarantee future-proofing for the unit - it will enjoy relevance for many years. When you decide to buy an audio interface for your audio setup, you can use this as a guide. You will already be able to identify the kind of audio interface you require for your setup once you have finished reading this. XLR inputs are usually accompanied by a preamp to handle microphones. Combo XLR/TRS inputs usually have preamps embedded, so they are mic-ready. Some units have versatile line level and instrument level switching for specific ports. Line level vs instrument level is an important distinction that some musicians know little about.

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The XR18 has 16 flexible analog inputs and preamps built in to the device, and serves as a mixer as well as an interface, but the quality is middle of the road. I'm impressed with the quality of the preamps, given the affordability of this interface; they provide a strong signal and low noise operation. The setup process is straightforward. Inputs: 2 x XLR-1/4" combo (mic/Hi-Z), 6 x XLR-1/4" combo (mic/line), 1 x Coax (S/PDIF), 2 x Optical (ADAT) In our experience, Focusrite’s Scarlett USB interfaces have traditionally combined excellent sonics and audio flexibility at affordable price points, and the third-generation units keep up the good work. This 16+ channel audio interface connects via Thunderbolt or USB 3.0. The latency you’ll experience, especially with lower channel counts is well within the requirements for human ears.

As far as the build quality is concerned, we really like the all-metal finish, which gives the unit a rugged feel. And while the interface has 16 channels, it still is quite compact. The knobs and switches are good quality and true to the feel. Another plus: RME drivers just work. I don’t think I’ve ever seen a complaint of RME drivers regarding compatibility with any systemSeveral expansion options are also available via Optical I/O. The iD44 was designed to grow with your studio, with additional inputs available should you choose to bring in more input options like a dedicated 8-channel preamp such as the Focusrite Octopre and other similar units. The Volt 276 by Universal Audio (UA) is a remarkable audio interface with exceptional build quality, offering solid construction that ensures durability and longevity. Its high-quality built-in compressor enhances signals naturally, making it particularly effective for vocals and guitar/bass recordings. So all the products I’ll recommend today are capable of at least 16 simultaneous inputs during a recording session. Some will be capable of more, but 16 inputs will be possible for all of them. Achieving More Than 8 Channels The front face of the Apollo Twin X features a huge knob that can be used for volume control of monitors, headphones, and input gain, as well as some handy buttons for phantom power, muting, and various other features. We found it to be an incredibly fleshed-out and powerful recording experience using one of these and combined with the portable size, it’s the perfect interface for taking to and from recording sessions, with the connectivity to grow with you should you choose to invest further in the UA ecosystem. Or not? If you're running a Windows machine you may get issues with the supplied audio drivers. Some users recommend using Asio4all instead, although a recent driver update from Tascam may have solved the issue.

Includes everything great about the 3rd generation of Scarlett interfaces, such as the "Air" feature Two independent headphone outputs are on the front of the unit, along with mute, mono, phantom power, and line input buttons. Many of the high end audio interfaces come built in with only 8 analog inputs. But most of them claim to be capable of more than 8 inputs. In comparison to Audient EVO Sp8, the EVO 16 has a cleaner sound due to its improved total harmonic distortion plus noise. It can basically handle a wider range of audio signal levels because of the higher dynamic range. Plus, the UI control, the latest EVO software app, connectivity options, and the number of inputs and outputs, make EVO 16 a much more solid interface than EVO 4, EVO 8, and EVO Sp8.Preamps have tons of SNR and dynamic range. This makes them great for gain staging and with negligible noise. The Tascam Model 16 all-in-one music studio is a professional tool that combines recording, mixing and recording effects in one simple box. This versatile audio interface makes it possible to process any recording through various methods, and save it as a WAV or AIFF file. With a single control panel, you can record, mix and control any application through its 16 audio interface destinations. As expected, the mic preamps had a crisp, clear, and bright sound. Very transparent and quiet. The input frequency response for the plugged-in semi-acoustic guitar was also flat. We had to test the mic for our Taylor 724ce too and wanted to see it capture the undertones. Well, it wasn’t entirely flawless since some of the mid-range frequencies sounded a bit muffled but it was more about our mic placement. Also, with the number of ports, this is an excellent interface to mic a drumset. However, we did feel the latency going up slightly as we turned on all the inputs simultaneously. Audient is gradually upgrading its original generation iD units, and the latest one is the iD24, which replaces the iD22. iD24 is a 10-in/14-out interface with two of Audient’s highly-respected 8024 Class-A mic preamps. It also has a front-mounted JFET-based instrument input, which when plugged up replaces mic input 1. The last button, labeled ‘F’ is a function button that can be used to do a bunch of monitoring/communication functions. An engineer can use it to sum the stereo outputs to mono (Mono), ALT allows for switching the monitor to a secondary set of speakers, and DIM reduces the output level to a certain pre-set amount.

The MOTU 16A is capable of the same high quality recordings of the Fireface for a much better price, but its analog inputs are only 1/4 inch and they don’t come with built in preamps. Outputs: 2 x XLR (+4dBu/+19dBu), 1 x Optical Toslink (ADAT, S/PDIF), ,1 x 1/4", 1 x 1/8" (Headphones) I use MIDI extensively and the Fireface has 2 MIDI in/outs. It accepts ADAT, S/PDIF, AES/EBU, XLR, 1/4 line and the MADI connection which on its own provides up to 64 simultaneous channels. This is a top-of-the-line interface for any studio, bar none. Top-tier AD/DA, excellent preamps, and more inputs and outputs than many have used are some of the reasons why.Nothing quite captures the true spirit of a band better than everyone playing together. With plenty of inputs, outputs and options for recording even complex lineups, the UR816C lets you capture this unique magic. High-end D-PRE microphone preamps will capture your vocals and acoustic instruments in stunning detail, while Hi-Z, line, digital and MIDI inputs, as well as DSP effects, ensure every instrument makes an impact. With latency-free monitoring, robust build quality and seamless compatibility with Macintosh/Windows computers and iOS devices, the UR816C is a band’s best friend. There are two combi mic/line inputs with Hi-Z (impedance) options for switching between guitar and bass signals or those from synths or drum machines. A +48v option also allows the connection of both condenser and dynamic mics. With great monitoring and recording quality and a flexible I/O configuration, the SSL 2+ comes highly recommended by us.

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